How ‘Furious 7’ Created a Digital Paul Walker For His Unfinished Scenes
Real Paul and animated Paul.
The news comes to us via The Hollywood Reporter, who say that Peter Jackson’s WETA Digital was quietly hired to finish the journey of Walker’s Bryan O’Connor. Although WETA declined to comment, it makes sense. If you’re going to hire a special effects company to resurrect a dead actor, you might as well go with the people already known for creating photorealistic, lifelike characters.Before you think Universal made a crass decision here, it should be noted that Furious 7 is actually very tasteful on this front. Viewers who pay careful attention will note that the majority of Walker’s unfinished scenes are completed using his brothers Caleb and Cody as doubles. When combined with CGI, carefully chosen camera angles and the right lighting, they are the spitting image of Paul.Walker is not the first actor to get temporarily revived through visual effects. Oliver Reed was digitally recreated for his unfinished scenes in Gladiator when he passed away during production and Nancy Marchand had one final scene on The Sopranos after her death. And then there are the countless commercials that resurrect iconic celebrities like Steve McQueen and Bruce Lee to hock modern products. (If you ask us, using CGI to finish a late actor’s performance is weird but understandable. But commercials? That’s kinda’ gross.)As tasteful and subtle as WETA’s work is in Furious 7, the article from the Hollywood Reporter can’t help but suggest a darker future where actors are scanned and their likenesses used for years to come (which just so happens to be the subject of the excellent sci-fi film The Congress). They note how actors are already digitally recreated for impossible action scenes, but some performers are apparently being scanned for “archival” reasons. In theory, this means Chris Evans could keep on playing Captain America for the next century. In theory, that is also when we stop watching movies.